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In the current political and social climate, surveillance has become an accepted and unquestionable part of everyday public life. Suppression of behaviour, information and desire occurs both privately and publicly. What is the relationship between surveillance and suppression? How do issues of surveillance and suppression affect the work we make as artists and the way in which we work? How can we as artists, living in different countries, engaging in multi-platform possibilities and utilising varied perspectives, respond to these issues in a cohesive and powerful way?
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